I’ve come to learn (and appreciate) that studios are a work in progress. It’s been nearly two years since we moved to our house in Port Townsend and we have been slowly making updates, especially as we’ve balanced work with looking after our now 2.5 year old daughter. Recently, we made a push on our studio, painting, rearranging our desks, building a new painting desk for me, and improving our lighting. Here’s a little tour!
My husband Darin Reid and I are fortunate to have a large room (approximately 12′ x 22′) we use for our office/studio. At one end, we have a standing and sitting desk configuration that we’ve custom built using Ikea countertops and black steel pipe. For our standing desk (and my art desk), we use floor mats that make a big difference for comfort.
The other side of the room is dedicated to art projects. We built in a closet for storage, where I keep an 18″ x 36″ shelf of art supplies, as well as shelf stacked with framed paintings. For light, I recently acquired an amazing 18″ x 24″ flexible LED panel (Falcon Eyes RX-18T with a soft box) that I’ve mounted to the ceiling using a Manfrotto Magic Arm. It’s like turning on the sun. Special thanks to Caleb Pike with dslrvideoshooter.com for his awesome light reviews and recommendations. I also have an LED architect swing arm lamp which is a little stiff to move, but I appreciate the extra light. I lit up another corner with a couple of clip lights mounted to our old coat rack. Altogether, I have consistent light for painting night or day.
I’m also thrilled to finally have a flat file. It’s a huge oak piece (40″ wide x 36″ tall x 26″ deep) with 12 drawers that open smoothly. My father-in-law salvaged it from a Seattle marine architecture office that was closing shop, and was sweet enough to load it in his truck and deliver to me in Port Townsend. I love it, the drawers have absorbed so many of my supplies. I’m slowly organizing them and adding chalkboard paper labels. At some point, I’d like to build a full desk around the file, but for now have just placed the top of my vintage Ikea drafting table on it (I purchased the table on Craigslist 12 years ago). Next to it is my Ikea Norden gate leg table that I’ve also had for 12 years. It’s an attractive and versatile piece of furniture.
On the wall next to my desk are my hanging systems for brushes and paintings. It’s helpful to see my work in progress and have my tools accessible. My favorite brushes are handmade by a dear Japanese friend and mentor, Mr. Sakuma, whom I first met in Tokyo when I was 12 years old. Sakuma-san is a master brush-maker craftsman whose generosity and encouragement over the years inspired me to commit to art. I wrote in 2008 about my experiences with Sakuma-san, and his advice to create at least 10,000 pieces. To hang a collection of brushes, I mounted a small 3/8″ square dowel to the wall and hammered in small finishing nails, spaced 1″ apart. Some of my brushes have hangers, others I taped small loops on.
My hanging system for paintings is created with three rows of Supersoft Strand 20kg coated wire. I use this wire for my framed paintings, as it’s easy to work with and ages well). My husband found some beautiful 1″ spacers at the hardware store and screwed them into wall studs. The wires stay nice and taut, and I use silver 3/4″ binder clips to attach my sketches.
There are many more projects, big and small, from finishing molding to building more desks and shelves (there’s one wall I did not show you!), but it’s come a long way since we started. Here’s a look at where we began.
You can continue the studio tour through my archives if you’d like to see how my spaces have evolved over the years!
- 2011-2015, Seattle
- 2010-2011, Seattle
- 2009-2010, Twisp
- 2008-2009, Seattle
- 2006-2008, Seattle (what, oil paintings?)
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